A Conversation Between God and Man performed by Ding Chengyun
. Source. Lit: fish timber question answer.
The dialog is also known as allegory for an incredibly deep philosophical discussion between an idealized wise woodcutter and a fisherman, e.g. mentioned at: www2.kenyon.edu/Depts/Religion/Fac/Adler/Writings/Fisherman%20and%20Woodcutter.pdf
This song is just too slow for Ciro Santilli to make much out of it.
Bibliography:
Dialog between Fisherman and Woodcutter Chinese traditional painting by Xie Shichen
. Dialog between Fisherman and Woodcutter uploaded by Fei Sun
. Source. Stringless guqin fan painting by Feng Chaoran (1943)
Stolen traight from www.silkqin.com/10ideo.htm on silkqin.com:Wind in the pines and a babbling brook are nature's melody. A qin was brought along, but there is no need to play it
www.facebook.com/131402556881886/posts/655763214445815/ gives an origin:The silkqin.com entry: www.silkqin.com/04qart/07sqmp/57ls.htm does not mention this however.
Li Sao was composed by Cheng Kangshi in late Tang dynasty based on the poem Li Sao, authored by Qu Yuan (340-278 BC) in the Warring States period of ancient China.
Li sao performed by Guan Pinghu
. Source. Track from Master Of Traditional Chinese Music: guqinIt is easy to get this piece wrong. Two many videos on YouTube play it too fast. Zhang Ziqian plays perfecly, with slightly inconsistent timing, perfectly simulating the drunkard.
Wine mad performed by Zhang Ziqian
. Source.