David Matsumoto 2026-10-25
Researcher whose work includes Spontaneous facial expressions of emotion of congenitally and noncongenitally blind individuals by David Matsumoto and others.
Portrait of David Matsumoto
. External portrait hosted by San Francisco State University. Source.Naturalistic facial evidence supports biological and social regularities, but gives limited support to a universal one-to-one code for basic emotions. The relevant contrast is between describing a facial movement and inferring its cause. The same visible action can accompany an emotional episode, communicate affiliation or serve a task. A strong basic emotion theory needs independent evidence linking a category of felt emotion to a characteristic pattern across situations, rather than defining the category by the pattern it is supposed to explain.
Posed photographs are useful controlled stimuli, but agreement about them answers a different question from why people move their faces in ordinary life. Forced-choice emotion recognition supplies observers with labels and alternatives; it can encourage consensus even when spontaneous descriptions would differ. Recognition of a prototype also does not establish that its full configuration occurs frequently in lived episodes. Naturalistic studies should therefore code movements independently of a category judgment, record the social setting, and obtain an independent indicator of experience where possible. The Facial Action Coding System helps separate visible actions from their interpretation; anatomical coding is not itself a measurement of feeling.
Robert E. Kraut and colleagues' 1979 observations make the methodological issue concrete. At a bowling alley, bowlers were especially likely to smile while socially engaged, including when facing companions, rather than simply after a successful delivery. Observations in other settings also implicated social engagement. Bowling supplies identifiable outcome events and changes of orientation towards an audience, so it offers a useful setting for separating success from immediate social contact. However, a good score is an imperfect indicator of what that individual feels at that instant; the study cannot infer the absence of happiness merely from a lack of smiles.[ref]
Social and emotional messages of smiling by Robert E. Kraut and others. 1979, naturalistic bowling studies and discussion of social messages
María-Ángeles Ruiz-Belda and colleagues addressed this limitation in 2003 by adding reports of feeling in field studies of bowlers and soccer fans. Among those reporting happiness, smiling was much more probable during social interaction than outside it. The key contribution is the separation of reported happiness from the presence of a smile, not merely the observation that social people smile. Reports still have timing and reconstruction limitations, and social interaction can itself alter felt intensity. Nevertheless, these observations are difficult to reconcile with the simple claim that happiness reliably releases a smile regardless of audience.[ref]
Spontaneous facial expressions of happy bowlers and soccer fans by María-Ángeles Ruiz-Belda and others. 2003, abstract and two field studies, reported happiness and social interaction
The evidence does not require treating biological expression and communication as mutually exclusive. An inherited movement repertoire could become selectively deployed towards partners. Conversely, describing a smile as communicative does not show that its producer lacks happiness. A display rule may suppress or amplify a response. But if every absent expression is retrospectively called suppression and every unexpected expression is called a disguise, the claim loses predictive content. A useful version must specify the circumstances of suppression independently and predict differences before seeing the faces.
Evidence from blindness strengthens the case for a biological contribution without settling the strong universality claim. David Matsumoto and colleagues compared spontaneous expressions of congenitally blind, noncongenitally blind and sighted athletes. Similarities show that visual imitation is not necessary for all features of the observed repertoire. They do not remove social experience, other sensory learning, shared anatomy or competition-related goals. Nor do they establish a unique correspondence between each movement and a consciously felt category.[ref]
Spontaneous facial expressions of emotion of congenitally and noncongenitally blind individuals by David Matsumoto and others. 2009, comparison groups and spontaneous competition-related expressions
A complementary result concerns interpretation rather than natural production. Rachael E. Jack and colleagues used generated dynamic faces and reverse correlation to estimate observers' category representations. Cultural differences in those representations challenge a single universal observer code. This is not direct evidence that the same cultural groups make different spontaneous movements in every emotional situation. Production and interpretation require separate tests.[ref]
Facial expressions of emotion are not culturally universal by Rachael E. Jack and others. 2012, Figures 1–3, dynamic stimulus generation and category representations
A decisive programme would sample episodes rather than only successful examples, include nonsocial and social periods within the same people, and obtain time-linked reports without prompting a fixed inventory of categories. Facial coders should be blind to reports and outcomes; analyses should distinguish within-person effects from differences between people. Researchers should test the entire distribution: how often a movement occurs without the proposed feeling, and how often the feeling occurs without the movement. A distinctive expression might still be informative without being necessary or sufficient. To establish a specifically basic category, the pattern must also outperform alternatives based on emotional valence, emotional arousal, action and social intention.
The strongest evidence concerns inherited bodily capacities, response repertoires and learning biases; it does not establish a complete immutable package for each mature emotional category. Asking what is hardwired requires distinguishing several propositions. An innate behavior may have an inherited developmental basis without appearing fully formed at birth. An early response may depend on prenatal experience. A universal pattern can reflect shared environments as well as common inheritance, and a biological mechanism can remain modifiable through development. These possibilities prevent a simple equation of innate with early, universal or unchangeable.
An emotional episode has several emotion components: evaluation, feeling, bodily regulation, expression and action. Evidence about one component should not be silently transferred to the others. The inherited organization of the autonomic nervous system and skeletal muscle supplies important response capacities. It does not follow that a particular heart-rate change means fear, or that everyone uses an identical muscle configuration whenever anger is felt. Common physiological resources can be recruited in different combinations for different goals and situations.
Cross-cultural expression research provides evidence about shared capacities, with a qualification about the task. Paul Ekman and colleagues' 1971 study used story-to-photograph judgments in New Guinea and found substantial agreement for several proposed categories. This matters because agreement cannot be attributed solely to participation in the same Western experimental setting. But supplied stories, selected photographs and response alternatives test a constrained matching ability. They do not directly measure the prevalence of those configurations in spontaneous episodes or establish the same spontaneous category boundaries everywhere.[ref]
Constants across cultures in the face and emotion by Paul Ekman and others. 1971, story-to-photograph judgments and cross-cultural comparisons
Blindness comparisons help separate a specific learning route from a shared capacity. David Matsumoto and colleagues' 2009 competition observations included congenitally blind athletes. Their similarities with sighted athletes suggest that seeing and copying facial examples is unnecessary for all aspects of expression. This is stronger evidence against a purely visual imitation account than a comparison between sighted cultures alone. It is not evidence for development in the absence of experience: blind athletes still have bodily feedback, social interactions and nonvisual information. Competition-related expressions also do not identify the whole content of conscious feeling.[ref]
Spontaneous facial expressions of emotion of congenitally and noncongenitally blind individuals by David Matsumoto and others. 2009, congenitally blind comparison and its implications for visual learning
The clearest intermediate position is prepared learning. Michael Cook and colleagues in 1989 used edited videos in which a model monkey's fearful behavior appeared directed towards different objects. Observer monkeys acquired stronger fear-related responses to fear-relevant objects, including toy snakes or a toy crocodile, than to comparison objects such as flowers or a toy rabbit. Editing helps control the demonstrator's fearful behavior while varying its apparent object. The experiment therefore tests selective acquisition rather than simply comparing encounters in the wild.[ref]
Observational conditioning of fear to fear-relevant versus fear-irrelevant stimuli in rhesus monkeys by Michael Cook and others. 1989, Experiments 1–2, edited demonstrators and fear-relevance contrast
Preparedness in psychology makes sense of this result without calling the acquired response present from the start. An inherited bias in attention, association or defensive learning could influence what is easily learned, while observation supplies which object is dangerous. However, unequal learning need not uniquely prove genetic specification: the object classes differ perceptually, and laboratory rearing is not absence of all earlier experience. Further work should control exposure histories and perceptual salience and examine generalization to new exemplars. The experiment supports constrained observational conditioning, with evolutionary interpretation requiring additional evidence; it does not demonstrate an unlearned conscious human fear of every snake.
Social context further limits claims of a complete fixed programme. An inherited ability to smile can coexist with acquired display rules, context-sensitive audiences and strategic communication. Cultural differences in dynamic expression representations found by Rachael E. Jack and colleagues concern how observers interpret faces. They show that the decoding system is not adequately described by one universal template, while leaving room for shared sensory and motor resources. Naturalistic dissociations between reported happiness and smiling likewise challenge a rigid output rule rather than the existence of a biological contribution.[ref]
Facial expressions of emotion are not culturally universal by Rachael E. Jack and others. 2012, observer-specific dynamic representations, rather than direct proof about every spontaneous display
The content of cognitive appraisal also develops. Concern about a predator may build on defensive capacities, whereas shame over breaking a locally valued rule requires learning that rule and understanding the social relation. This does not make one purely biological and the other outside biology. It distinguishes inherited capacities for learning, evaluation and bodily regulation from the learned situations, categories and conventions through which those capacities operate. Inferring a specific subjective state from a newborn's grimace, an animal's avoidance or a single neural response would go beyond the measured component unless independently justified.
An informative research programme therefore specifies an inherited contribution at a particular level: anatomy, sensory bias, learning rate, action tendency or category-specific coordination. It compares developmental and cross-cultural trajectories, controls relevant experience where possible and asks which predictions are unique to the proposed mechanism. Neither similarity alone nor variability alone settles innateness. Shared development can produce similarity; inherited systems can produce variable outcomes when inputs differ.
Emotion is biologically enabled and plausibly biologically constrained, with particularly strong evidence against unrestricted visual imitation and wholly unconstrained fear learning. The available evidence does not license treating every named emotion, its elicitors, its felt quality and its facial and autonomic outputs as one fully preassembled hardwired unit.
Cross-cultural agreement can arise from shared facial anatomy, shared sensory functions and recurring social experience without requiring an identical, innate dictionary of facial expressions. The central distinction is between common production mechanisms, agreement about visible features and agreement about the emotion those features signify. Evidence for one does not establish the others. Emotion recognition is an inference about an unobserved state from a signal and its context, rather than a direct reading of a label written on the face.
Shared anatomy constrains the movements that faces can make. Common problems such as obtaining sensory information, avoiding contamination and coordinating approach or withdrawal can make some configurations useful across communities. Similar environments may also teach similar associations between events and expressions. These explanations make different predictions: a biological production constraint predicts similarities even without observing other faces, whereas a culturally learned label predicts sensitivity to language, experience and local conventions. Cross-cultural consistency alone cannot separate these explanations because both can produce agreement.
Paul Ekman and colleagues' early work with relatively isolated New Guinea participants reduced the objection that all agreement arose from exposure to Western films. Participants matched narrated situations to posed photographs of facial expressions, with substantial agreement on several intended categories. This was an important extension beyond educated Western observers. However, choosing among a small set of photographs after an emotion-relevant story establishes agreement within that task. It does not show that the same label would arise spontaneously from an ambiguous face without the story.[ref]
Constants across cultures in the face and emotion by Paul Ekman and others. New Guinea story-matching procedure and cross-cultural recognition results
The distinction matters experimentally. A forced-choice emotion recognition task supplies candidate interpretations and excludes many alternatives. Translation can make a story more diagnostic of one response than another, and selected posed photographs maximize category contrasts. These features do not make the result meaningless; they specify its evidential scope. Agreement under constrained alternatives is evidence that participants can map those stimuli onto those situations. Strong universality would additionally require similar distinctions with natural expressions, broader response options and comparable meanings of the labels across languages. Measurement invariance is therefore a substantive problem, not merely a translation check.
Evidence from expression production provides an independent constraint. David Matsumoto and colleagues coded spontaneous expressions in blind and sighted athletes around competition outcomes. Similarities including congenitally blind athletes weaken the claim that the observed facial patterns require visual imitation of others. The study is especially useful because it examines emotionally significant events rather than only instructions to pose an expression. Nonetheless, blindness does not remove nonvisual social learning, and similar production does not establish identical recognition by observers in every culture.[ref]
Spontaneous facial expressions of emotion of congenitally and noncongenitally blind individuals by David Matsumoto and others. Blind and sighted athletes; facial coding and competition-outcome observations
The distinction between production and interpretation also clarifies a functional explanation. Joshua M. Susskind and colleagues asked people to produce fear, disgust and neutral configurations and measured sensory consequences. Fear configurations increased the reported visual field, accelerated target-directed eye movements and altered nasal inspiration in the direction of greater sensory acquisition; disgust showed an opposing tendency. Eye-movement recordings and respiratory measurements therefore linked expression geometry to a physical function rather than relying only on emotion labels.[ref]
Such a mechanism could help explain why certain visible signals recur: widening sensory access may be useful during uncertain threat, whereas limiting exposure may help during rejection. This is a functional hypothesis supported by the measured consequences of posed movements. It is not direct evidence that natural selection produced every component for that function, that every fearful person makes that face, or that every observer identifies fear from it. A facial movement can change sensory input, acquire a communicative meaning and be modified by a display rule; these processes can coexist.
The recognition code itself shows cultural variation. Rachael E. Jack and colleagues generated dynamic computer faces by varying facial movements and their timing. Fifteen Western and fifteen East Asian observers each categorized thousands of animations. Reverse correlation estimated which movements supported each observer's judgments. The resulting representations differed in their separation of the six candidate categories and in the timing and location of cues to intensity, including the importance of early eye movements for the East Asian sample.[ref]
Facial expressions of emotion are not culturally universal by Rachael E. Jack and others. Figure 1 and Results; 30 observers, randomized animations and reconstructed expression representations
This method weakens the assumption that everyone starts with the same six concept prototypes, because the prototypes were estimated from responses rather than selected by the experimenter. It still uses specified labels and small, culturally restricted samples; it cannot establish the absence of every shared component. A shared sensitivity to eye opening or positive versus negative significance could coexist with different category boundaries. Equally, agreement about broad emotional valence would be weaker than agreement about the exact distinction between fear and surprise. The level of description at which universality is claimed must remain explicit.
A decisive research program would combine production and recognition measures. Natural dynamic expressions should be sampled from comparable situations, with context independently manipulated. Observers should provide open descriptions as well as constrained choices; analyses should test whether translations and response scales support equivalent comparisons. Comparing early and late visual cues could separate common sensitivity to a feature from later category interpretation. Blind participants and culturally diverse populations provide complementary tests rather than interchangeable proof of innateness. These designs also prevent a common error: interpreting disagreement over a category name as absence of any shared perceptual sensitivity.
The most defensible universal factors are common biological constraints and recurring opportunities to learn useful signals; their contribution does not fix every category boundary or social meaning. The evidence supports substantial shared structure together with culturally shaped interpretation. A good explanation therefore specifies which feature, judgment or mechanism is shared, instead of treating all cross-cultural agreement as proof of a universal facial code.
