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By Gabriel Lippmann. Nobel lecture delivered 14 December 1908. Inspected two-page English transcription hosted by Holography Forum; translator uncredited.

A physicist.^[ref]

Lippmann photography records colour through the depth structure of an exposed emulsion. Its account connects a standing wave to a reflected optical spectrum.

In his 14 December 1908 Nobel lecture, Gabriel Lippmann described a photographic plate bearing a transparent, even, extremely fine sensitive layer. A holder put Mercury against that layer as a mirror during exposure. Incident and reflected light formed a standing wave within the photographic emulsion; after photographic processing and drying, white light revealed colour by selective reflection. The reflector served during recording; the developed structure supplied the later colour selection.^[ref]

The lecture's control was to project a spectrum photograph, wet it, and project it again. Its colours disappeared as the gelatin swelled, then returned during drying, red before the shorter wavelengths. This tested a spacing-dependent explanation. Lippmann also reported roughly one-minute sunlight exposures and identified portrait exposure time as a limitation.^[ref]

A reversible colour change supports a structural explanation, but does not independently measure every fringe spacing or the refractive index. For a conceptual comparison, record a narrow band and compare reflected optical spectra at fixed illumination and viewing angles; an unexposed processed plate tests background. A second comparison changes only viewing geometry. A third compares the dry state before and after a reversible spacing change. These are proposed discriminating controls, not additional experiments attributed to Lippmann. Background surface reflection must be separated from the selective signal. A photograph's appearance also depends on the illuminating optical spectrum; viewing under an arbitrary lamp is not a calibrated spectral measurement.

A Lippmann plate records colour as a depth-dependent optical structure in a photographic emulsion. A standing wave writes a spacing; wave interference during later illumination selects the reflected wavelengths. This makes a photographic plate a spatial record of an optical spectrum. The striking idea is that information about colour can live in geometry.

Gabriel Lippmann presented his colour process in 1891 and received the 1908 Nobel Prize in Physics. His career belongs principally to physics: he held chairs in mathematical and experimental physics.^{[ref] [ref]}

Gabriel Lippmann received the award for a photographic colour-recording method based on interference.^[ref] The Lippmann colour-recording experiment stores a standing wave pattern in a photographic layer.