A real positive photoresist pattern usually has finite edge slope and rounding rather than mathematically sharp vertical steps. The optical aerial image and finite resist contrast give a graded exposure boundary. Absorption through the film, focus, reflections from silicon and development kinetics can make the opening narrower or wider at different heights.
Incomplete development can leave residual material at the floor; standing-wave exposure can cause sidewall ripples, and substrate-related chemistry can produce footing. Bake history and developer transport can modify corners and line width. An undercut can be engineered with a suitable resist stack, but it is not an automatic consequence of ordinary positive-tone processing. The final profile must therefore be measured rather than inferred solely from the mask artwork.
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