Copia: Foundations of the Abundant Style 1970-01-01
"Copia: Foundations of the Abundant Style" is a book by Derek Allen that explores the concept of abundance in writing and rhetoric. In it, Allen discusses the idea of "copia," which refers to the ability to generate a wide range of ideas and expressions on a given topic. This concept has its roots in classical rhetoric, where it was valued as a means to cultivate richness and variety in communication.
Language as Symbolic Action 1970-01-01
"Language as Symbolic Action" is a concept primarily associated with the work of the American literary theorist and philosopher Kenneth Burke. In his seminal text "Language as Symbolic Action: Essays on Life, Literature, and Method," published in 1966, Burke presents the idea that language is not merely a tool for communication, but a form of action that shapes our understanding, relationships, and perceptions of reality.
Preamble to Rhetoric 1970-01-01
"Preamble to Rhetoric" is a term that could refer to introductory remarks or foundational concepts that establish the context and principles of rhetoric. While there isn't a specific work universally recognized by this title, it may relate to discussions of rhetoric in classical texts or modern interpretations. In classical rhetoric, the preamble might cover the fundamentals of persuasive communication, including the importance of audience analysis, ethos (credibility), pathos (emotion), and logos (logic), which are key elements introduced by Aristotle.
Rhetoric (Aristotle) 1970-01-01
Rhetoric, as defined by Aristotle in his seminal work "Rhetoric," is the art of persuasion. Aristotle regarded rhetoric as a vital skill in public life and considered it essential for effective communication. His exploration of rhetoric emphasizes three primary modes of persuasion, which he identified as ethos, pathos, and logos: 1. **Ethos**: This refers to the credibility or character of the speaker. Aristotle believed that for an audience to be persuaded, they must trust the speaker.
Rhetorical device 1970-01-01
A rhetorical device is a use of language that is designed to have a particular effect on an audience. Rhetorical devices can enhance the persuasiveness, clarity, and emotional impact of an argument, speech, or piece of writing. They often involve specific techniques or strategies that manipulate language in creative ways to convey ideas more effectively. Some common rhetorical devices include: 1. **Metaphor**: A comparison between two unlike things that suggests a similarity (e.g., "Time is a thief").
Rhetorical question 1970-01-01
A rhetorical question is a figure of speech in which a question is posed not to elicit an answer but to make a point or emphasize a concept. It is often used for persuasive effect or to provoke thought. The answer may be obvious or implied, and the question is typically asked to engage the audience, draw attention to an issue, or highlight an argument. For example, asking "Isn't it time we did something about climate change?
Rodomontade 1970-01-01
Rodomontade refers to boastful or inflated speech or behavior, often characterized by bravado and a tendency to exaggerate one's accomplishments or abilities. The term derives from Rodomonte, a character in Italian literature known for his pompous boasting and aggressive demeanor. The concept is often associated with a kind of pretentiousness or empty showiness, where the emphasis is more on style and bluster rather than substance or reality.
Slippery slope 1970-01-01
The slippery slope is a logical fallacy that suggests if one action is taken, it will inevitably lead to a chain of related events culminating in significant and often undesirable consequences. Essentially, it posits that a relatively small first step can result in a series of negative outcomes, without providing evidence that these outcomes will necessarily occur. This type of argument is often used in debates and discussions to warn against making a particular choice or adopting a specific policy by exaggerating the potential negative consequences.
Sotto voce 1970-01-01
"Sotto voce" is an Italian term that translates to "under voice." In music and performance, it refers to a technique where a performer speaks or sings in a soft, subdued manner, often to create an intimate or confidential atmosphere. The term is commonly used in the context of theater and music to indicate that the dialogue or lyrics should be delivered quietly, often as if the character is sharing a secret or expressing something intimate.
Juxtaposition 1970-01-01
Juxtaposition is a literary and artistic technique that involves placing two or more elements side by side to highlight their differences, similarities, or contrasting qualities. This method is often used to create emphasis, provoke thought, or generate a specific emotional response from the audience. In literature, juxtaposition can involve contrasting characters, themes, settings, or ideas within a narrative. For example, placing a wealthy character next to a poor character can emphasize themes of class disparity.
Kenning 1970-01-01
A kenning is a poetic device commonly used in Old Norse and Old English literature, particularly in epic poetry. It serves as a metaphorical expression that combines two words to create a vivid, descriptive phrase. Instead of naming an object or idea directly, a kenning uses a compound word or phrase that evokes its meaning in a more imaginative way.
Kettle logic 1970-01-01
Kettle logic is a term used in legal theory and logic to describe a situation where a person makes multiple, contradictory arguments or assertions to support a particular position. It is named after the philosopher H.L.A. Hart, who used the notion to illustrate how certain legal arguments can be constructed in a way that they rely on multiple, inconsistent premises. The concept can be understood as follows: someone might present several reasons for a conclusion that cannot all be true at the same time.
Understatement 1970-01-01
Understatement is a rhetorical device or figure of speech in which a situation, idea, or concept is presented as less significant or important than it actually is. It often involves deliberately downplaying the severity or seriousness of an event or characteristic for effect. Understatement can be used for various purposes, including humor, irony, or to create a sense of modesty.
Ancient Greek rhetoricians 1970-01-01
Ancient Greek rhetoricians were scholars and practitioners of rhetoric in ancient Greece, a field that encompasses the art of persuasion and effective communication. Rhetoric was highly valued in ancient Greek society, particularly in political, legal, and philosophical contexts. Here are some key figures and concepts associated with ancient Greek rhetoric: 1. **Key Figures**: - **Gorgias (c.
Ancient Roman rhetoricians 1970-01-01
Ancient Roman rhetoricians were scholars and practitioners of rhetoric in ancient Rome, a discipline that encompassed the art of persuasive speaking and writing. Rhetoric was highly regarded in Roman education and was used in various contexts, including politics, law, and public life. The instruction in rhetoric was crucial for those aspiring to public office, as the ability to persuade and influence others was a vital skill.
Alexander Bain (philosopher) 1970-01-01
Alexander Bain (1818–1903) was a Scottish philosopher, psychologist, and educationist, known for his contributions to the fields of psychology, philosophy, and education. He was a key figure in the development of modern psychology, especially in the context of British empiricism. Bain's work often focused on the relationship between mind and body and the application of scientific methods to psychology.
Anselm of Besate 1970-01-01
Anselm of Besate, also known as Anselm of B flat or Anselm of B, refers to a specific medieval composer and theorist associated with the development of music notation and practice during the early Middle Ages. His exact contributions are often debated, but he is recognized for his role in the establishment of early musical theory and notation systems, particularly in relation to Gregorian chant.
Antony of Tagrit 1970-01-01
Antony of Tagrit, also known as Saint Antony of Tagrit, was a Christian monk and ascetic who lived in the 7th century, particularly known for his role in the early Christian monastic community in the region of Tagrit, which is located in modern-day Iraq. He is often associated with the establishment of monastic life in the area and is considered a significant figure in the history of Christianity, particularly within the Syriac Orthodox Church.
Benjamin Hedericus 1970-01-01
"Benjamin Hedericus" likely refers to Benjamin Hedericus (also known as Benedikt Hederich), an 18th-century figure known for his contributions in the field of education and literature, particularly in Germany. He is recognized for his work on the education of youth and is associated with the early development of pedagogical texts.
Christine de Pizan 1970-01-01
Christine de Pizan (c. 1364 – c. 1430) was a notable Italian-French author and poet, regarded as one of the first women in Western literature to earn a living through her writing. She is often recognized for her works that advocate for women's rights and challenge the societal norms of her time. Christine was born in Venice and moved to France, where she became a member of the court of Charles IV.