Physics experiment without a decent modern video by Ciro Santilli 35 Updated 2025-01-10 +Created 1970-01-01
Created by Dr. Rod Nave from Georgia State University, where he worked from 1968 after his post-doc in North Wales on molecular spectroscopy.
While there is value to that website, it always feels like it falls a bit too short as too "encyclopedic" and too little "tutorial-like". Most notably, it has very little on the history of physics/experiments.
Ciro Santilli likes this Rod, he really practices some good braindumping, just look at how he documented his life in the pre-social media Internet dark ages: hyperphysics.phy-astr.gsu.edu/Nave-html/nave.html
The website evolved from a HyperCard stack, as suggested by the website name, mentioned at: hyperphysics.phy-astr.gsu.edu/hbase/index.html.
Shame he was too old for CC BY-SA, see "Please respect the Copyright" at hyperphysics.phy-astr.gsu.edu/hbase/index.html.
exhibits.library.gsu.edu/kell/exhibits/show/nave-kell-hall/capturing-a-career has some good photo selection focused on showing the department, and has an interview.
Kell hall is a building of GSU that was demolished in 2019: atlanta.curbed.com/2020/1/31/21115980/gsu-georgia-state-atlanta-kell-hall-demolition-park-library-north
Naming taxonomic ranks like genus, domain, etc. is a fucking waste of time, only useful before we developed molecular biology.
All that matters is the tree of clades with examples of species in each clade, and common characteristics shared by the clade.
And with molecular biology, we can build those trees incredibly well for extant species. When extinct species are involved however, things get more complicated.
Make article editing more reasonable. Several bugs in the area.
Contains a large database of instruments, and allows you to edit them. This is a fun toy.
Instruments are edited on a GUI. It is a multi-window program, and you open new windows from new windows from new windows, all filled with hundreds of virtual knobs that you drag with your keyboard, and which would be better done from textual software like Csound. It is a thing of beauty.
It does not seem possible to program arbitrary modular synthesizer circuits therefore. But if you understand additive synthesis and subtractive synthesis well, you can make some funky sounds with it.
It is basically a superset of all popular hardware synthesizers ever made.
Has its own built-in MIDI keyboard which is nice.
On Ubuntu 20.04 Version: 3.0.5:as per askubuntu.com/questions/220802/no-sound-zynaddsubfx-and-jack-wont-run/1297988#1297988
To do anything of interest, switch to the Advanced UI:
sudo apt install zynaddsubfx
zynaddsubfx -O alsa
To do anything of interest, switch to the Advanced UI:
- Misc
- Switch Interface Mode
The UI is completely different form what is shown on the website as of 2020: zynaddsubfx.sourceforge.io/, it looks instead like: www.youtube.com/watch?v=iVPr6iUuO3g Maybe on the website it is the new zyn-fusion UI... www.reddit.com/r/linuxaudio/comments/bxn3ur/some_help_for_installing_zynfusion_zynaddsubfx/ so confusing.
And they have some crappy policy of asking for 45 USD for binary downloads.
Compiling from source:fails with:Ciro gives up for now.
git clone https://github.com/zynaddsubfx/zynaddsubfx
cd zynaddsubfx
git checkout a789866de4d45a784c1f4d95fcf5a1938347baef
sudo apt build-dep zynaddsubfx
mkdir build
cd build
cmake ..
make -j`nproc`
Traceback (most recent call last):
File "/usr/bin/cxxtestgen", line 7, in <module>
import cxxtest.cxxtestgen
File "/usr/share/cxxtest/cxxtest/__init__.py", line 33, in <module>
from cxxtest.cxxtestgen import *
File "/usr/share/cxxtest/cxxtest/cxxtestgen.py", line 18, in <module>
import __release__
ModuleNotFoundError: No module named '__release__'
Ciro Santilli believes it generally hurts more than it helps.
Especially when you can't even mention censored things to criticize them. You have to pretend they never existed. So people will forget about them, and do them again in the future.
And when companies do it just to look good, even though it has absolutely no real impact on the lives of those who are discriminated against.
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