Sacred Harp

Sacred Harp is a tradition of American Protestant sacred music that originated in the early 19th century, particularly in the Southern United States. It is characterized by its unique shape-note singing system, which uses a distinctive four-shape notation to represent different musical pitches. The shapes correspond to the syllables of the solfège system (fa, sol, la, and mi), making it easier for singers to read music, especially in community singing contexts.

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Alabama Sacred Harp Singers refers to participants in the tradition of Sacred Harp singing, a form of American shape-note singing that originated in the early 19th century. Sacred Harp music is characterized by its four-part, a cappella singing style, which uses a unique system of shaped notes to indicate pitch. The term "Alabama Sacred Harp Singers" specifically highlights the vibrant community of singers and events in Alabama, which is a significant center for this tradition.

"Awake, My Soul: The Story of the Sacred Harp" is a documentary film that explores the traditions and cultural significance of Sacred Harp singing, a unique form of American choral music shaped by community and spiritual expression. The film delves into the history of Sacred Harp music, which dates back to the early 19th century and is characterized by its four-part harmony sung in a shape-note system.

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The Chattahoochee Musical Convention is a gathered event that typically focuses on shape-note singing, a form of musical expression rooted in American folk traditions. Specifically, it revolves around the singing of hymns and sacred music from shape-note songbooks, such as "The Sacred Harp." These conventions provide a communal atmosphere where participants come together to sing, often using a structured format that allows for collective participation.

The "Cold Mountain" soundtrack is the musical score for the 2003 film "Cold Mountain," directed by Anthony Minghella and based on the novel by Charles Frazier. The film tells the story of a Confederate soldier's long journey home during the American Civil War, focusing on themes of love, loss, and redemption. The soundtrack features a combination of traditional American folk music, bluegrass, and original compositions.

"Daniel and the Sacred Harp" refers to a well-known American hymn that is a part of the Sacred Harp tradition, which is a musical style and community singing practice originating from the early 19th-century shape-note singing tradition in the United States. The Sacred Harp songbook, first published in 1844, contains a collection of hymns and spiritual songs used in this form of communal singing.

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The East Texas Musical Convention is an annual event that celebrates and showcases traditional music, particularly focusing on shape note singing, which is a unique style of musical notation that facilitates participatory singing. Held in East Texas, this convention typically features a gathering of singers, musicians, and attendees who come together for a weekend of music, fellowship, and learning. Participants often sing from hymns or other songs that are commonly associated with shape note practices.

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George Pullen Jackson (1874–1953) was an American musicologist and folk music scholar, known for his work in the field of American folk music and early American hymnody. He made significant contributions to the study of folk songs, particularly those originating in the Southern United States.

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New Sacred Harp is a contemporary adaptation of the traditional Sacred Harp singing tradition, which is rooted in shape note singing and originated in the early 19th century in the United States. Sacred Harp singing is characterized by its use of the shape note system, which uses different shapes for musical notes to facilitate singing, particularly for those who may not have formal musical training.

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Sacred Harp refers to a tradition of shape-note singing that originated in the early 19th century in the United States, particularly in the southern states. The term "Sacred Harp" also specifically refers to a collection of hymns and songs that are written for this style of music. The Sacred Harp songbook, first published in 1844 and revised in subsequent years, features a variety of hymn writers and composers.

Sarah Lancaster is an American composer known for her work in film, television, and various musical projects. She has composed music for a range of genres, showcasing her versatility and creativity. While specific details about her life and career may not be extensively publicized, her contributions to the music industry often highlight her ability to blend different musical styles and create evocative soundscapes.

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The Southern Musical Convention is an organized gathering, typically focused on the traditional Appalachian musical heritage, particularly shaped by the shape-note singing tradition. Founded in the 19th century, the convention serves as a platform for singers who participate in shape-note singing, which is a style that uses a system of shapes to represent musical notes. This method makes it easier for people without formal musical training to learn and perform music, particularly hymns and spirituals.

The Southwest Texas Sacred Harp Singing Convention is an annual gathering dedicated to the practice of Sacred Harp singing, a traditional form of American choral music that is characterized by its unique structure, shaped notes, and rich harmonies. Sacred Harp singing typically involves a communal and participatory approach, where singers gather to perform songs from the Sacred Harp songbook, a collection that dates back to the early 19th century.

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"Watchman" is a hymn that often reflects themes of vigilance, spiritual awareness, and preparation for Christ's return. It is based on the biblical imagery of a watchman who is tasked with keeping vigil and alerting the people to danger or significant events. One of the most well-known versions of a hymn titled "Watchman" is associated with the text that emphasizes the anticipation of the Second Coming of Christ.

"What Wondrous Love Is This" is a traditional American hymn that dates back to the 19th century. It is often associated with the shape note singing tradition, which was a popular method of musical education in the United States, particularly in the Southern regions. The hymn expresses themes of love, sacrifice, and redemption, centering on the love of Christ and His atonement for humanity's sins.

William Walker (1809–1875) was an American composer, music publisher, and figure in the field of shape-note singing. He is best known for his work with shape-note hymnals, particularly the "Southern Harmony," which he compiled and published in 1835. This hymnal played a significant role in the shape-note singing movement, which was a way of teaching music that uses shapes to represent different pitches.