- twitter.com/bicyclelobby
- Shifter youTube channel: www.youtube.com/channel/UC9-ZlLTioqMZowRLZHscozw. Has many videos about making cycling as means of transport. He's from Calgary, Canada.
- banprivatecarsinlondon.com/ Ban Private Cars in London
- stopkillingcyclists.org
- Reclaim the Streets
- www.youtube.com/@NotJustBikes
- kidsonbike.org: they make some large bike rides to promote themselves, good method
- 2024 www.designboom.com/design/latvia-cyclists-car-skeletons-vehicle-size-10-10-2014/ cyclists with car skeletons
The financial industry does not serve society nowhere near its magnitude (London of course being the epitome of that). It serves only itself. It just grows without bound.
- www.theatlantic.com/technology/archive/2011/05/on-the-floor-laughing-traders-are-having-a-new-kind-of-fun/238570/ On the Floor Laughing: Traders Are Having a New Kind of Fun (2011) by James Somers describes trading as a kind of game.
Ciro Santilli's admiration for Dyson goes beyond his "unify all the things approach", which Ciro loves, but also extends to the way he talks and the things he says. Dyson is one of Ciro's favorite physicist.
Besides this, he was also very idealistic compassionate, and supported a peaceful resolution until World War II with United Kingdom was basically inevitable. Note that this was a strategic mistake.
Dyson is "hawk nosed" as mentioned in Genius: Richard Feynman and Modern Physics by James Gleick (1994) chapter "Dyson". But he wasn't when he was young, see e.g. i2.wp.com/www.brainpickings.org/wp-content/uploads/2016/03/freemandyson_child-1.jpg?resize=768%2C1064&ssl=1 It sems that his nose just never stopped growing after puberty.
He also has some fun stories, like him practicing night climbing while at Cambridge University, and having walked from Cambridge to London (~86km!) in a day with his wheelchair bound friend.
Ciro Santilli feels that the label child prodigy applies even more so to him than to Feynman and Julian Schwinger.
Bibliography:
- QED and the men who made it: Dyson, Feynman, Schwinger, and Tomonaga by Silvan Schweber (1994) chapter 9 Freeman Dyson and the Structure of Quantum Field Theory
Only people who need to drive a car should be allowed to drive a car anywhere near a city, e.g. people who work door to door, people who are disabled, etc.
Countryside driving is fine. If going to a city, you just have to drive to a parking outside of the city where you then take the public transport. And those who live in cities must leave their cars there too.
Everyone else must walk or cycle from home to public transport.
Cars just destroy everything, they make everything ugly:
- this was extremely clear to Ciro Santilli as a cyclist. He previously lived in a place with few cars and the countryside was so pleasant. Then he moved to a place with more cars and it was shocking. It's a mixture of pollution, noise, and the fact that roads cut up the countryside that just make things not pleasant at all. Dual lane roads in particular are just a terrible thing. You can hear them from afar, much before you see them.You can just see as tiny little villages surrounding the bit city and it's oversized motorways are more or less homogenized into one big city mass, the process is clearly visible as you cycle out of the big city and the villages become nicer and more unique as you go along further out.
- even within cities, cars completely dehumanize the streets. For example, Ciro once lived in a small dead end street, and he would have gladly opened his front window more often to meet the neighbours. But just the noise of cars passing by every so often makes it impractical to work like that.
The Zatoichi effect applies well to the problem of cyclists:This is the main drama faced by cyclists.
- they are not really pedestrians, and pedestrian paths are not suitable to them because they are too narrow, of not smooth, or curved. But pedestrians will always have enough political power to have their paths, because they live around the paths
- they are not really motor vehicles, because motor vehicle paths are too wide and too fast for them. But motor vehicles will always have enough political power to have their paths, because people are lazy and stupid, and because as the world stands, individually you just don't have any reasonable choice to go anywhere.
Lobbying groups:
- 1972
- Transa (1972) album. Literally: "The Fuck", good old seventies. Caetano himself later mentions that this is one of his own favorite albums.[ref] The album was composed when he was living in London.
- 1975 Qualquer coisa album
- 1976 Doces Bárbaros (1976) albumUm Índio by Caetano Veloso (1976)Source. Recording from 1992. Also appeared in the Bicho (1977) album.
- 1977 Bicho (1977)Tigresa by Caetano Veloso (1977)Source. Talks about a strong willed, unapologetic, disenchanted, but also hopeful brown skinned lover: a tigress. Ciro once knew one, but it wasn't meant to be.
- 1978 album Muito (Dentro da Estrela Azulada)Sampa by Caetano Veloso (1978)Source."Sampa" is an affectionate slang for São Paulo City. The song perfectly captures the city, and reminds Ciro so badly of his University days there.
[D]a força da grana que ergue e destroi coisas belas
The power of money that builds and destroy beautiful thingsTerra by Caetano Veloso (1978)Source."Terra" means Earth in Portuguese.Ciro used to watch a television nature show called "Planeta Terra" in the legendary TV Cultura with his parents in the couch when he was young, and under a duvet when it was a bit cold. Those days were the best. The narrator's lady voice was particularly soothing, and would easily put you in a kind of sleepy trance, her name is Valéria GrilloTODO what was the original show exactly? Here is a sample: www.youtube.com/watch?v=vNwfYEMdrRU Very likely just a translation of some British nature show with a custom Brazilian intro and presenter. Credits at end mention English narrator: "Eugene Fraser", and "Thirteen WNET Nature" production, which produced Nature (1982) that ran since 1982, making that a likely candidate. - 1980Menino do Rio by Caetano Veloso (1980)Source. Apparently served as inspiration for the Menino do Rio (1980) movie, which is silly, but a worthwhile record of the times.
- 1984 Velô (1984)O Quereres by Caetano Veloso (1984)Source. Notable quote from the chorus that is often in Ciro's mind:translation:
Ah, bruta flor, do querer
Oh, brute flower of the wanting