Filter graphs are a thing of great beauty. What an amazingly obscure domain-specific language, but which can produce striking results with very little!!!
A quick example from stackoverflow.com/questions/59551013/how-to-generate-stereo-sine-wave-using-ffmpeg-with-different-frequencies-for-eac/77730492#77730492 illustrates some of the fundamentals:
ffplay -autoexit -nodisp -f lavfi -i '
sine=frequency=500[a];
sine=frequency=1000[b];
[a][b]amerge, atrim=end=2
' +--------+
[sine=frequency=500]--->[a]-->| |
| amerge |-->[atrim]-->[output]
[sine=frequency=1000]-->[b]-->| |
+--------+So we see the following syntax patterns:
sine,amergeandatrimare filterssine=frequency=500: the first=says "araguments follow";: separates statements[a],[b]: sets the name of an edge,: creates unnamed edge between filters that have one input and one output
A list of all filters can be obtained ith:and parameters for a single filter can be obtained with:Related question: stackoverflow.com/questions/69251087/in-ffmpeg-command-line-how-to-show-all-filter-settings-and-their-parameters-bef
ffmpeg -filtersffmpeg --help filter=sineTODO dump graph to ASCII art? trac.ffmpeg.org/wiki/FilteringGuide#Visualizingfilters mentions a
-dumpgraph option, but haven't managed to use it yet.Bibliography:
- ffmpeg.org/ffmpeg-filters.html official documentation
- trac.ffmpeg.org/wiki/FilteringGuide some handy tips from the FFMpeg Wiki
A field can be seen as an Abelian group that has two group operations defined on it: addition and multiplication.
And then, besides each of the two operations obeying the group axioms individually, and they are compatible between themselves according to the distributive property.
Examples:
A recreational computer simulation!
Although Ciro Santilli is a big fan of plaintext files and of Vim, not so for games. Games must be easy to understand since they are just a toy.
Tilesets to the rescue!
The opposite of freedom of speech.
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